The splendid Dale Chihuly exhibition at Kew Gardens

Posted on November 2, 2019 by Toothpicker There have been 0 comments

sapphire star dale Chilhuly

Sapphire Star, 2010

 

I am not sure why it took me so long to visit the 'Chihuly - Reflections on nature' exhibition at Kew Gardens, but I finally managed to catch it a few days before it ended. It was not the best day to visit Kew, but the autumn foliage made up for the grey and drizzly weather.

I was glad that I made it because I thought it was was the best U.K. exhibition I saw this year. American artist Dale Chihuly's stunning nature-inspired glass sculptures did not look out of place at Kew, in fact, they undoubtedly enhanced the gardens in many ways.

 

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Chihuly at Kew

 

With a map in hand, I wandered around the gardens in search for his 32 sculptures installed at 12 different locations. Aside from the Rotunda Chandelier at the V & A entrance, I don't recall seeing a lot of Dale Chilhuly's works in the U.K., so this exhibition was a fascinating opportunity to see an artist who has spent the last 50 years perfecting and experimenting on a skill/craft/art that he loves. Even on a grey day, Chihuly's glass sculptures still looked magnificent, and it was hard not to be gobsmacked by the intricate craftsmanship and dazzling colours.

 

Temperate House Persian

Temperate House Persian  Temperate House Persian

Chihuly at Kew

Chihuly at Kew  Chihuly at Kew

Fiori Verdi

Chihuly at Kew

 

Besides the outdoor sculptures, the indoor ones looked marvelous too. The Temperate House Persians – a new artwork specially designed to be suspended inside the world's largest and newly restored Victorian glasshouse could be admired from below and above. Meanwhile, some of his other works inside the glasshouse appeared to be camouflage e.g. 'Fiori Verdi' among the exotic plants, which was quite a pleasant surprise for the visitors.

 

‘Summer Sun’, 2010

Opal and Amber Towers, 2018

Lime Crystal Tower, 2006

 Scarlette and Yellow icicle tower

Top: ‘Summer Sun’, 2010; 2nd row: 'Opal and Amber Towers', 2018; 3rd row: 'Lime Crystal Tower', 2006; bottom row: Scarlette and Yellow icicle tower, 2013

 

One of the most conspicuous outdoor sculptures at the exhibition was ‘Summer Sun’, a bold piece consisted of 1,483 separate elements. Yet the most complex one is 'Scarlette and Yellow icicle tower', which has 1,882 separate elements.

Out of all the installations at the gardens, my personal favourites were the 'Niijima Floats' and 'Ethereal White Persian Pond' inside the Waterlily House. Named after a volcanic island in Tokyo Bay, the 'Niijima Floats' installation at the Japanese rock garden was made up of brightly coloured glass spheres in various sizes, some of which weigh up to 60 pounds (27 kg). A series introduced by Chihuly in 1991, the colourful spheres looked unexpectantly harmonious with its surroundings; I especially liked the Chinese pagoda backdrop. I felt a sense of tranquility and balance looking at this installation, and it was unfathomable by intellect – you could only feel it, which probably made it more powerful.

 

'Niijima Floats' (1992 - 2008)

'Niijima Floats' (1992 - 2008)

'Niijima Floats' (1992 - 2008)

'Niijima Floats', 2019

 

'Ethereal white persian pond' inside the Waterlily house was another breathtaking installation. As soon as I entered the glasshouse, my eyes were captivated by the extraordinary white and translucent striped glass flowers supported and rimmed with steel standing on the surface of the pond. Again, I felt that the glass flowers belonged there, in the pond with the water lilies and lotus leaves. The reflection of the glass sculptures on the water created a dreamlike/surreal effect, which made me believe that these flowers are part of nature and that there is no difference between the sculptures and nature.

Chihuly has said that he wants his work "to appear like it came from nature, so that if someone found it on a beach or in the forest, they might think it belonged there." And I believe that he has certainly achieved this.

 

'Ethereal white persian pond', 2018

'Ethereal white persian pond', 2018

'Ethereal white persian pond', 2018

'Ethereal white persian pond', 2018

 

The last location I visited was the Shirley Sherwood Gallery of Botanical Art, where visitors could see his sketches, drawings, smaller glass sculptures and a film detailing Chihuly’s creative process. It was interesting to see many artisans working alongside with Chihuly in the production process, hence the collaborative efforts are essential for his final pieces.

 

Chihuly at Kew

Chihuly at Kew  Chihuly at Kew

Chihuly at Kew

Chihuly at Kew

Chihuly at Kew

 

Although I have visited Kew Gardens almost annually (usually with a friend who lives locally) for the last few years, I have never been able to cover the entire area. There is always something new to discover here, and on this visit, I spent almost an hour inside the Princess of Wales Conservatory examing the carnivorous plants in a maze-like glasshouse.

 

kew gardens  kew gardens

KEW

kew plants  kew plants

kew

kew gardens

 

Although Kew is popular with visitors all year round, I personally love coming here in autumn. I enjoy hearing the rustling sounds of autumn leaves being blown in the wind, and the crunching sounds produced when my shoes made contact with the leaves. Perhaps it is due to global warming, but I feel that autumns here have become shorter, and if this is the case, then we need to cherish this season before it vanishes altogether – which will be almost unthinkable but not impossible. Watching the autumn leaves fall onto the ground is a reminder of our fleeting lives, although it comes with a sense of melancholy, there is also much beauty in it. I think nature is our best teacher, and maybe this is the reason why I will always want to return to Kew in autumn.

 

Chihuly at Kew

autumn foliage Kew  autumn foliage Kew

autumn foliage Kew

autumn foliage Kew

autumn foliage Kew  FOLIAGE KEW

FOLIAGE KEW

autunn foliage

 

 


This post was posted in London, Exhibitions, Nature, Art, Contemporary craft, Gardens & parks, contemporary, Sculptures and was tagged with London, art and design exhibitions, nature, gardens, contemporary crafts, sculptures, contemporary art, autumn, kew gardens, Dale Chihuly, glass

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