Noguchi for Danh Vo: Counterpoint at M+ Pavilion, Hong Kong

Posted on May 22, 2019 by Toothpicker There have been 0 comments

m+ pavilion   Isamu Noguchi

 Isamu Noguchi

 

I have always been fascinated by Japanese American modernist artist, designer and landscape architect Isamu Noguchi's work, yet I have never visited his museum in New York even though I used to live there. I have seen his work at MOMA and at other art institutions in America, but oddly enough, I have rarely seen his work being shown outside of America. Hence, I was quite excited about his exhibition in Hong Kong before my visit.

The 'Noguchi for Danh Vo: Counterpoint' at M+ Pavilion exhibition is based on an ongoing conversation between two artists who never met: Isamu Noguchi (1904–1988) and the contemporary Vietnamese Danish artist Danh Vo (born 1975). Vo, who has in recent years explored and researched Noguchi’s life and art, and has included Noguchi’s work in his installations with increasing frequency. This exhibition shed light on each artist’s protean body of work.

 

 Isamu Noguchi This Tortured Earth  Isamu Noguchi

 Isamu Noguchi

 Isamu Noguchi    Isamu Noguchi Ghost

 Isamu Noguchi bamboo Basket Chair

 

Occupying the main exhibition space were Noguchi's sculptures, furniture, lighting and worksheets. Noguchi's biomorphic sculptures remind me very much of another artist from the same period: Barbara Hepworth. Yet he was also a brilliant designer and landscape architect; his iconic coffee table designed in 1944 is still in production (now by Herman Miller/Vitra) after more than seven decades. Another classic design series are his Akari Light Sculptures, inspired by his trip to Gifu in Japan where it is famous for its manufacture of paper parasols and lanterns. Over the years, he created a total of more than 100 models, consisting of table, floor and ceiling lamps ranging in size from 24 to 290 cm.

In the middle of the room, there was a Chinese-style pavilion Untitled (Structure for Akari PL2) designed by Vo to hang Noguchi's paper lamp sculptures, and for visitors to rest. It blended extremely well with Noguchi's works.

 

 Isamu Noguchi    Isamu Noguchi

 Isamu Noguchi

 Isamu Noguchi    Isamu Noguchi

 Isamu Noguchi Leda

 Isamu Noguchi    Isamu Noguchi

 Isamu Noguchi

 

Outside of the building were a few cargo containers where Vo's works were exhibited. Like Noguchi, Vo's life was shaped and influenced by Eastern and Western cultures. Due to his refugee background, Vo often addresses the issues of history, identity and belonging in his work. His conceptual works often weave archival fragments together and personal references. He also doesn’t believe in providing explanatory material, hence, it's up to the visitors to interpret his work. Last year, Vo held a sold exhibition at the Solomon R. Guggenheim Museum, so he is undoubtedly one of the most prominent Asian artists working today.

 

Danh Vo  Danh Vo

Danh Vo  Danh Vo

Danh Vo's conceptual art work

 

 


This post was posted in Hong Kong, Japanese designs, Exhibitions, Art, Design, Japanese art, Asian art, Modernist design, contemporary, Sculptures and was tagged with Japanese designs, art and design exhibitions, furniture, Japanese art, sculptures, contemporary art, lighting, conceptual art, Modern art, Danh Vo, Isamu Noguchi

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